n-1 发表于 2022-11-23 04:01:42

利奥波多夫公园|n-1

将一个以前的农庄墓地改造成一个带有儿童游乐场设备的公园,将一个被遗忘了一半的穿行式花园改造成一个活跃的娱乐场所,在这里,各个年龄段的人都会找到放松的方式。设计遵循三个基本原则:激活公园边界,使其内部自由活动,并在现有结构中引入新的附加物。该项目由建筑师、景观设计师和艺术家在赢得建筑方案公开招标的基础上合作完成。

The conversion of a former croft cemetery into a park with playground equipment for children transforms a half-forgotten walk-through garden into a site of active fun where people of all ages will find ways to wind down. The design works with three basic principles - activating the park boundary, enabling free movement within, and introducing new additions to the existing structures. The project was created in cooperation between an architect, a landscape architect and an artist based on winning the public tender competition for architectural solution.

▽公园改造前 Original state




沿着Hlohovská街的原有围栏被新定位在教堂后面,扩大的人行道,即所谓的piazzetta,从这条大道上为公园创造了更宽阔的入口。根据与邻近房屋居民的会议结果,为那些选择在其花园的选定地点的居民增加了通道的路障。沿着拉祖索瓦街新建的围栏中的大门与对面的大门相接,通往附近的联合花园,市议会正计划将其开放。

The original fencing along the Hlohovská Street was newly positioned behind the chapel, the enlarged pavement, a so called piazzetta, created more generous entrance to the park from this thoroughfare. Based on an outcome of a meeting with the residents of neighbouring houses access wickets were added for those of the residents who chose so in selected spots of their gardens. The gate in a new fencing along Rázusova Street follows the gate on the opposite side leading to the nearby Associational Garden, which the city council is planning to open.










新公园被认为是一个单独的树荫游乐场。所有灌木和其他木本植物的屏障物种已被清除。处理树冠无法通行的成熟落叶树木,并加植幼树,以防止绿化面积被破坏,并支持其进一步生长。额外的种植创造了原来小路的锯齿形树木布局的延伸,成为贯穿整个公园区域的对角树网。为了保持树木根系周围的间隙,该区域通过可步行的砾石表面稳定下来,从而缓解了现有的唯一通道轴线。

The New Park is perceived as a singular playground in a shade. All shrubs and other barrier species of woody plants were removed. Full-grown deciduous trees with underpassable treetops were treated and younger trees were added so as to prevent the break-up of the green area and also to support its further growth. The additional planting creates an extension of the zigzag tree arrangement of the original alley into a diagonal tree grid across the entire area of the park. Maintaining gaps around the root system of the trees, the area was stabilized with a walkable gravel surface, thus relieving the only existing thoroughfare axis.














原始墓园结构的历史层被保存了下来。小教堂成为了广场的地标,原来小巷两侧的路边十字架仍然打开了公园的入口。精心制作的墓碑陈列在广场大门旁边的一座新墓石中。内部公园区域主要由新的现成的物体增强,这些物体来自工业制造的工程元素,被认证为操场设备。与量身定做的非标准玩具相比,这些玩具在经济上更方便,与标准化的操场玩具相比,它们提供了一个新鲜的解决方案,邀请孩子们去探索和发展他们的想象力。除了这些功能性雕塑外,还安装了新的公共家具,包括长凳、垃圾箱、自行车架和公共照明。

The historical layer of the original cemetery structures was preserved. The chapel became a landmark of the piazzetta, roadside crucifixes on both sides of the original alley still open up the entrances to the park. Crafted gravestones were displayed in a new lapidary next to the gate from piazzetta. The inner park area was enhanced mainly by new ready-made objects originating from industrially manufactured engineering elements, certified as playground equipment. In comparison to the made-to-measure atypical counterparts these are an economically more convenient alternative, and in comparison to the standardized playground equipment they offer a fresh solution inviting the children to explore and develop their imagination. Apart from these functional sculptures new public furniture including benches, dustbins, bike racks and public lighting were installed.




▽场地区位 Context


▽平面图 Plan



Project: New Park in Leopoldov
Short office name: n-1
Website: https://n-1.cz
Address: Hlohovská Street / Rázusova Street, 920 41 Leopoldov, Slovakia
Authors: Jakub Kopec, Klára Zahradníčková, Tomáš Džadoň
Cooperation: JV PROJEKT VH, s.r.o. (water management), Dubrovay, s.r.o. (electrical installation), Ondřej Fous (garden and landscaping consultations), Juraj Ondreas (visual identity), Luboš Zbranek (visualisations)
Client: City Leopoldov
Costs: 312 000,- EUR without VAT
Area of Interest: 4870 m2
Main Contractor: CS, s.r.o.
Contractors of Play Equipment:        Tomáš Džadoň, Jakub Kopec
Restoration Works:        Marek Repáň
Design: 2017
Realization: 2018-19
Photo credit: Ján Kekeli, Jakub Kopec
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