“把曲的高低，难易，和和者众寡的关系分别清楚：须知高的曲不一定难，低的曲也不一定易;反之难的曲不一定高，易的曲也不一定低。故高低与难易 是不相关的两事。又须知和寡不是为了曲高的之故，是为了曲难之故;和众不是为了曲低之故，乃为了曲易之故。” —— 丰子恺
“For a clear understanding of the relationship between highbrow &lowbrow, difficulty & ease of songs and their popularity: it is importantto know that highbrow songs are not necessarily difficult, and lowbrow songsare not necessarily easy; conversely, difficult songs are not necessarilyhighbrow, and easy songs are not necessarily lowbrow. Therefore, highbrow &lowbrow and difficulty & ease are irrelevant. It is also important to knowthat low popularity of songs is not a result of being highbrow, but a result ofbeing difficult; high popularity of songs is not a result of being lowbrow, buta result of being easy.” — Feng Zi-kai
▼在空间中感受时间感的变化 Feel the change of time in space
嘉兴桐乡是丰子恺先生的故乡，有趣的是我们项目用地与新建的丰子恺学校对望而立，记忆中透过百叶窗的夕阳、被拨弄无数次而翻起的页角、课本上涂鸦的小人仿佛还在和场地浓浓的书院气息有着某种精神上的呼应。
Interestingly, the site of our project is rightopposite the newly built Feng Zi-kai School in Tongxiang, Jiaxing, the hometownof Feng Zi-kai. Racks of light filtered through the shutters, the corners ofpapers of the textbooks flipped repeatedly and the graffiti on the textbooks inmemory seem to echo with the intense atmosphere of the academy in the sitesomehow.
▼连廊空间corridor
在设计之初我们针对有限的场地寻求着各种人与空间与自然之间尺度的变化与反应，但总觉得少了些什么，在它被赋予新生命的过程中，时间尺度的发掘给设计带来了新的惊喜和温度。
At the beginning of the design, we explored changes inthe scale for people with space and nature and the responses within a limitedspace, but felt somewhat bereft. In the process of endowing the site with a newlife, we identified surprises and made satisfactory achievements from exploringthe time scale in the design.
▼设计手稿 Design Manuscript Of Entrance
▼入口转换空间 Entrance Conversion Space
正如丰子恺先生说的：低的曲也不一定易。置入场地，我们不想传递过于高涨和兴奋的情绪能量，设计采用了简练的线条和不易察觉的渐变，让整体环境充满了淡淡的光影位移，长廊将视线与环境的连接约束在亲近的尺度内，缔造出时间凝固之美。
Just as FengZi-kai said: lowbrow songs are not necessarily easy. In the design of the site,we adopt concise lines and imperceptible gradients to avoid conveyingoverwhelmingly excited emotions, filling the environment with faint light andshadow displacement as a whole. The connection of the sight with and theenvironment is closer for the sake of the corridor, creating a time-freezing beauty.
▼连廊的变化缔造出时间凝固之美The Change Of The Corridor Creats A Time-freezing Beauty
长廊背后的水庭以暗色作底，从水面生长出的娜塔栎穿过长廊顶部，引导整个空间向上，在沉静的画面内，引入光线和湿润的空气，让整个空间的质感更加鲜活而自然。
Quercus nuttallii growing out of the water passesthrough the top of the corridor with a dark-colored water-courtyard behind,raising the level of the entire space in the sense of depth. In a quiet scene,light and humid air added render the entire space with a vivid and naturaltexture.
水庭空间Water atrium space
▼夜景下的细节与质感The details and texture of the night scene
▼材质与灯光细节Details of materials and lighting
我们追求营造理想居住区的精神内核，用不同的手法探索空间的表达。希望用场地的基因、简洁的线条和舒适的氛围唤起人们心中的共鸣和对美好生活的向往。
Wefocus on the spiritual core of the site, which is expected to be turned into anideal residential zone, while striving to explore the expression of space indifferent ways. We intend to arouse empathy and yearning for a better life withthe essence of the site, concise and simple lines, and an atmosphere ofcomfort.
项目名称：悦都会
项目地点：浙江嘉兴
景观设计：玖鹿设计
建筑设计：青墨建筑设计
室内设计：南方九作设计
设计面积：3000.0㎡
委托业主：振石集团巨成置业有限公司
摄影：绎方摄影、玖鹿设计
项目设计 & 完成年份：2021年 & 2021年
Project name：THE LEGEND
Location: Tonglu，Jiaxing, Zhejiang
Landscape design: NCD Studio
Sculpture design: NCD Studio
Architectural design：QINGMO Design
Interior design：JIUZUO Design
Design area：3000.0㎡
Client: Zhangshi Group
Photography：YiFang Photography
Project design & completion year: 2021 & 2021
|
