项目简介Project introduction:
项目位于郑州CLD滨河国际新城滨湖生态商业核心区，紧邻蝶湖，自然条件优越。作为康桥集团TOP系首发产品，是康桥集团高端人居历程中一个里程碑式作品。设计秉承“Less is more”，极致美学理念，回应现代高净值人群对生活极致艺术品质与价值的追求，以公共艺术唤醒谧境美学，营造“石、山、光、坵、场”具有独特场地精神内涵的现代人文之境，以当代东方格韵，创造具有象征性及时代性的景观。
The project is located in the lakeside ecological business core area of Zhengzhou CLD Riverside International New Town, close to butterfly lake, with superior natural conditions. As the first product of Kangqiao group's top series, it is a milestone work in the high-end living course of Kangqiao group. Adhering to the concept of "less is more" and ultimate aesthetics, the design responds to the pursuit of modern high net worth people for the ultimate artistic quality and value of life, wakes up the tranquility aesthetics with public art, creates a modern humanistic environment with unique spiritual connotation of "stone, mountain, light, hill and field", and creates a symbolic and epochal landscape with contemporary oriental charm.
康桥美庐湾项目位于国际交往区、自贸核心区—郑州CLD滨河国际新城，滨湖生态商业核心区，紧邻蝶湖，地理位置优越，周边资源非常丰富。
Elegant- Bay project is located in the international exchange zone, the core free trade zone - Zhengzhou CLD Riverside International New Town, the lakeside ecological business core area, close to butterfly lake, with superior geographical location and rich surrounding resources.
康桥美庐湾作为康桥集团TOP系首发产品，定位为终极改善项目，以一种同频世界顶豪人居的生活方式，承载中原峰者的最高生活理想，是康桥高端人居历程中一个里程碑式作品。
As the first product of Kangqiao group's top department, Elegant- Bay project is positioned as the ultimate improvement project. It carries the highest life ideal of Zhongyuan peak people with a lifestyle of the world's top luxury living. It is a milestone work in the high-end living process of Kangqiao.
“Less is more”｜无界之境
——建筑师密斯·凡德罗Architect Mies van der Rohe——
美学的历史是不断探索与回归的历史，
从清新淡雅到华丽繁复，
从典雅复古到简约现代，
在变迁中淘沥出永不过时的美。
The history of aesthetics is a history of constant exploration and return,
From fresh and elegant to gorgeous and complicated,
From elegant retro to simple modern,
In the process of change, the beauty will never be out of date.
无界之境，意为万物互为融合消解之后所呈现的无限潜能之地。面对高净值人群的需求，克制与极致，内敛与极简，是睿哲与取舍。 康桥美庐湾景观设计秉承“Less is more”，极致美学理念，对品质极致优化演绎极简主义精神内涵，去承载人类所有物理的、情感的以及精神的万象。
Boundless realm means the place of infinite potential after the fusion and digestion of all things. In the face of the needs of high net worth people, restraint and extreme, introverted and minimalist, is the wisdom and choice. The landscape design of Kangqiao Meilu Bay adheres to "less is more", the ultimate aesthetic concept, optimizes the ultimate quality, deduces the minimalist spiritual connotation, and carries all the physical, emotional and spiritual aspects of human beings.
高雅氛围
Elegant space
场地的空间秩序，传递空间的礼仪，其归属感﹑舒适度及功能性，文化艺术、生活色彩、精致优雅等都将汇聚在景观场景当中，通过创造空间并重新挖掘项目内在的精神特质，让场所成为具有内在灵魂的景观。
The space order of the site, the etiquette of the transmission space, its sense of belonging, comfort and functionality, culture and art, life color, exquisite elegance, etc. will be gathered in the landscape scene. By creating space and re excavating the inner spiritual characteristics of the project, the site will become a landscape with inner soul.
静谧禅境
Tranquility of the Landscape
万籁寂静，暗香浮动的静谧之境，能让人躁动的心灵幻化入禅，景观效果犹如工笔美感，具备动中求静的生命力；景观画面相对于建筑来说，更像是以一种雕塑的姿态在光影的韵律下呈现永恒的构造张力；当人置身其中，远近高低，透过更多视角，不同体验的叠合，传递景观空间里流动的情感与温度。
The quietness of all sounds and the floating fragrance can transform people's restless mind into Zen. The landscape effect is like fine brushwork aesthetic feeling, which has the vitality of seeking quietness in motion. Compared with architecture, the landscape picture is more like a sculpture posture, presenting the eternal structural tension under the rhythm of light and shadow. When people are in it, far and near, through more perspectives, the superposition of different experiences To convey the emotion and temperature flowing in the landscape space.
精致细节
Exquisite details
价值的极致，总是在细节中绽放光芒，聚焦高净值人群需求，打动人们的并不仅仅是空间本身，而是她背后超乎非凡的生活理念，她承载的愉悦、超越期待的体验。
The acme of value always shines in the details. Focusing on the needs of high net worth people, what impresses people is not only the space itself, but also the extraordinary life concept behind her, the pleasure and beyond expectation experience she carries.
生态人居
Ecological living
在以空间、光影和结构韵律表现所营造的优雅氛围中，建筑、室内和景观设计无缝结合。设计以舒适轻松的度假酒店式新东方风格景观与桃源秘境式的人居理念相结合，以当代东方格韵，回应高净值人群偏好的极致舒适与怡然，打造“禅境、内敛、极适”的生态人居环境。
In the elegant atmosphere created by space, light and shadow and structural rhythm, architecture, interior and landscape design are combined seamlessly. The design combines the comfortable and relaxed New Oriental style landscape of resort hotel with the living concept of Taoyuan seclusion, and responds to the extreme comfort and pleasure preferred by high net worth people with the contemporary oriental charm, so as to create an ecological living environment of "Zen, introverted and extremely suitable".
康桥美庐湾总体景观设计回应现代高净值人群对生活极致艺术品质与价值的追求，以当代东方格韵，创造具有象征性及时代性的景观，营造静谧优雅、尊贵清新、宁静克制的现代人文之境。
The overall landscape design of Kangqiao Meilu Bay responds to the pursuit of modern high net worth people for the ultimate artistic quality and value of life. With contemporary oriental charm, it creates a symbolic and contemporary landscape, and creates a quiet, elegant, noble, fresh, quiet and restrained modern humanistic environment.
▲总平图site-plan
景观空间结构为纵横十字景观轴串联南北两大组团花园的格局，景观场地功能与形式结合项目的人文特性，营造“石、山、光、坵、场”具有独特场地精神内涵的五大主题场景；核心景观区域为“艺术会所+下沉庭院”，这是社区门户与景观内核，是迎宾场所、艺术门厅，是山影水蕴、雕刻时光，这也是康桥美庐湾项目首开区落地呈现的部分。
The landscape spatial structure is a pattern of vertical and horizontal cross landscape axis connecting two groups of gardens in the north and the south. Combining the function and form of the landscape site with the humanistic characteristics of the project, five theme scenes with unique spiritual connotation of the site "stone, mountain, light, hill, field" are created. The core landscape area is "art club + sunken courtyard", which is the community portal and landscape core, as well as the welcoming place and Art Center The entrance hall is the time of mountain and water and sculpture, which is also the part of the first development area of the Kangqiao meiluwan project.
No1
场 /square
动量应该存在于场之中，对门户空间的界定，突出场地功能，空间氛围，以"场"对接城市街道，创造酒店式仪式性的迎宾空间。
Momentum should exist in the field, define the portal space, highlight the function of the site, space atmosphere, connect the city streets with the "field", and create a hotel ritual welcome space.
“场” 景 呈 现
Real scene presentation
以公共艺术唤醒谧境美学｜Arousing tranquility aesthetics with public art
安德鲁.罗杰斯的公共艺术探索在艺术语言的传达上逐渐转向一种螺旋流体式的雕塑形态，进而凸显人类自我观念和群体意识的成辅关系。
Andrew Rogers' exploration of public art has gradually turned to a spiral fluid sculpture form in the transmission of artistic language, thus highlighting the complementary relationship between human self-concept and group consciousness.
▲ I Am,Andrew Rogers
流动的金属艺术——“I Am”，作品偏向于个体的独立性探求，蕴含着人类个体思想的独特性与不可复制性。
Mobile metal art - "Iam", works tend to explore the independence of the individual, contains the uniqueness of human individual thought and can not be copied.
▲Andrew Rogers与其雕塑作品
一念一清净，一树一菩提One thought, one pure, one tree, one Bodhi
植物配置巧选立意，取“前仆后举”之意，前场朴树，后场榉树，迎宾空间跨越千里，觅得古朴桩景，可谓百里挑一，可遇不可求，成就简洁大美空间。
The idea of plant configuration is chosen by the ingenious choice of "the former servant and the later lift". The park trees in the front, the beech trees in the back, and the welcome space span thousands of miles to find the ancient and simple scenery. It can be said that one in a hundred can meet but not be asked for, which makes the simple and beautiful space.
No2
山 / mountain
“宣也，生万物”，一静一动、方知天地，以简洁方正的场地創造宁静的空间間氛围，代表永恒及稳定，以涌泉、静水面来展現空间的流动性，以种植的四季变化來表现时间的流转。
"Xuanye, born of all things", a static movement, to know the world, with a simple square site to create a quiet atmosphere between the spaces, representing eternity and stability, with springs, still water surface to show the mobility of space, with the four seasons of planting to show the flow of time.
“山” 影 水 蕴
Real scene presentation
睿哲与取舍，大象无形，大音希声，山与水，刚与柔，无界之境，万物互为融合消解，传达克制与极致，内敛与极简的胸怀气蕴。
The great form has no shape. The great sound is hard to hear. The mountains and the water are the same. The universe is mutually integrated and dispelled. It conveys the restraint and the utmost, the introverted and the minimalist spirit.
下沉式中庭空间的景观创作，取“即入千峰万壑，俱无俗迹”之意，大胆尝试全画幅简洁凝练的工笔式刻画营造，“三远”布局，集全景式构图与小景构图，借势营造立体空间，取高山流水，意海翻腾，远借天宇，绵延无尽；颗颗钻石般肌理构成的叠水山墙画面，铺陈蓄势，如群山拢聚，如巨浪腾空......，急转直下，之后水到渠成，回归宁静，渔舟唱晚，田园牧歌，小桥流水......，从写意到生活，整个画面，如动态的静谧之境，动态平衡，疏密有致，张弛适度，长短结合，富有层次与节奏，凸显生命的张力。
The landscape design of the sunken atrium space takes the idea of "entering thousands of peaks and valleys without any vulgar trace" and boldly tries to create a simple and concise meticulous depiction of the whole picture. The "three distant" layout integrates panoramic composition and small scene composition to create a three-dimensional space by taking advantage of the situation. It takes the high mountains and flowing water, the sea of meaning churning, and the sky as far as possible to extend endlessly, From freehand brushwork to life, the whole picture is like a dynamic quiet state, dynamic balance, density, relaxation, length, level and rhythm, highlighting the tension of life.
“艺术美高于自然美”"Artistic beauty is higher than natural beauty"
——美学大师黑格尔Hegel, the master of aesthetics——
一痕山影淡若无——“万水千山”跌水景墙，犹如一颗颗钻石般的肌理，全由工匠用雕塑手法精工细作而成，凝聚匠心精神。
A trace of the mountain shadow is as light as nothing. The falling water scenery wall of "thousands of rivers and thousands of mountains" is just like the texture of diamonds. It is all made by craftsmen with exquisite sculpture techniques, which condenses the spirit of craftsmanship.
No3
庭 / Courtyard
样板区庭院空间伴随“起 、承 、转 、合”的序列展开，景观设计有意识延伸流线以拓展空间的深度，虚实相间，曲折迂回，在流线中设置空间的转折，通过景观节点的变化，营造空间的记忆点和体验感，让人获得从五官感受到身心愉悦的居住体验。
The courtyard space of the model area is unfolded in the sequence of "starting, carrying, transferring and combining". The landscape design consciously extends the streamline to expand the depth of the space. The virtual and real are alternating with twists and turns. The turning point of the space is set in the streamline. Through the change of landscape nodes, the memory point and experience sense of the space are created, so that people can get a pleasant living experience from the five senses.
“庭” 径迂回
Real scene presentation
艺术光影 —— 重抒空间美学
Art light and shadow
设计灵感，从宁谧与光影间诞生，要想塑造‘光’，首先要彻底凝视眼前叫做‘影’的现实。设计所坚持的静谧，不是绝对的安静，而是一种“蝉噪林逾静，鸟鸣山更幽”的空间情绪，一种经由五感抵达心灵共鸣的境界，用现代的材料以极简的方式阐述，并在留白中展现去芜存菁的空间美学。
Design inspiration comes from Tranquility, light and shadow. To create light, one must first gaze at the reality in front of one's eyes, which is called shadow. The tranquility that the design insists on is not absolute tranquility, but a kind of space emotion of "the cicadas are more quiet than the forest, and the birds are more quiet than the mountain". It is a realm of spiritual resonance through five senses. It is elaborated in a minimalist way with modern materials, and the space aesthetics of removing the turnips and preserving the turnips is displayed in the blank space.
辗转步入样板庭院，老树紫薇、青草簌簌，其中仿佛有隐隐虫鸣，没有车流人群的喧闹，归隐之境，抬头仰望，深呼吸，湿润的空气，让你闭上眼睛，让身心回归宁静，窗外风景，天光云影，仿佛安稳的沉睡在自然里，聆听自然的声音，山水经年不渝，静守流年。
Walking into the model courtyard, the old trees crape myrtle and green grass rustle. It seems that there is a faint sound of insects. There is no noise of traffic and people. In the seclusion, you look up, breathe deeply, and the moist air makes you close your eyes, and let your body and mind return to peace. The scenery outside the window, the sky, the clouds, and the sound of nature make you sleep soundly and listen to the sound of nature.
艺术创作背后的品质追求
Quality pursuit behind artistic creation
材料语言 Material language
“黑、金、灰、白Black, gold, grey, white”
睿智黑 / 古铜金 / 优雅灰 / 磨砂白
景观设计对材质、气质、人文等因素的考量，希望传达场景的温度和生活的氛围。在材料的选择组织上，体现沉静、深厚、简练且克制的态度和匠心情怀。
Landscape design on the material, temperament, humanities and other factors, hoping to convey the temperature of the scene and the atmosphere of life. In the selection and organization of materials, it reflects calm, profound, concise and restrained attitude and feelings.
睿智黑/中国黑——沉稳简约、和悦睿智；
古铜金/紫铜——低奢含蓄，透着精致深邃的审美
优雅灰/中国灰——冷静克制，简约高级的清浅色调
磨砂白/U玻——纯洁的颜色述说光影，美丽的纹理宛如朦胧的画面
细节体验 Detail experience
小空间、重体验 小场景，重细节
Small space, heavy experience; small scene, heavy detail
样板房展示区用地范围结合大区地库开挖距离来考虑，从市政界面到建筑外墙线，不过10多米的进深，西侧、北侧是施工围挡。空间范围小，流线需设计延长，增加场景设置的空间及序列；从视线分析，置身其中，需要景观细节精微到位；而作为前置的销售空间来说，更要超越心理预期，满足客户的多重体验；
Considering the excavation distance of basement in large area, the depth of the demonstration area of the model house is less than 10 meters from the municipal interface to the exterior wall line of the building, and the construction enclosure is on the West and north sides. The scope of space is small, the streamline needs to be designed to extend, and the space and sequence of scene setting need to be increased; from the perspective of line of sight analysis, the landscape details need to be refined in place; as a front-end sales space, it needs to exceed the psychological expectations and meet the multiple experience of customers;
康桥美庐湾景观设计从2017年7月开始至今，从50%概念到100%概念，历时三年多，设计推敲随着产品打磨，不断调整，反复修改，从设计方案一步步推进到样板房展示区呈现，以及本次推出的大区首开区域的落地呈现，凝聚了设计团队无数的心血和智慧。当然，无论是过程还是最终的结果，都离不开甲方管控团队与施工单位的鼎力支持与付出，才得以让细节极致体现，设计还原度90%以上，近乎完美落地。
Since July 2017, the landscape design of Elegant- Bay project has gone from 50% concept to 100% concept for more than three years. With the product polishing, constant adjustment and repeated modification, the design scheme has been promoted step by step to the presentation of the model room exhibition area, and the presentation of the first opening area of the District, which has condensed the countless efforts and wisdom of the design team. Of course, both the process and the final result are inseparable from the full support and effort of Party A's management and control team and the construction unit, so that the details can be fully reflected, and the design restoration degree is more than 90%, which is almost perfect.
▲入口空间设计与施工效果对比Design comparison
主材Main material：
墙面：白色仿洞石高密度水泥纤维板
地面：滨州青 800*400
▲下沉空间设计与施工效果对比Design comparison
主材Main material：
地面：夜里雪 600*600
水景：黑金沙 600*600
｜不负时光，不止景观｜
It is,but more than.
项目档案Project files
项目名称Project name：郑州康桥美庐湾Elegant- Bay, Kangqiao，zhengzhou
项目地点Project location：河南省郑州市经开区Zhengzhou Economic and Technological Development Zone, Henan Province
项目面积Project area ：26900平方米
项目业主Project owner：康桥集团The Kangqiao Group
业主团队Owner team：鄢立银、冯晶晶、李向辉、王晓鹏、原宇、赵文倩
景观设计Landscape design：CBD.LA 盛博地设计
设计团队Design team：莫国君、汪敏、颜丙省、郭冉、张悦、崔永振、刘金凤、唐滨、张雪
样板房区施工Construction unit of model house area：河南秦风园林
施工团队Construction team：丁文赞、张鑫凯
景观摄影Landscape photography：冰里的鱼.鲁冰
首开区施工Construction unit of the first opening area：杭州碧连天
施工团队Construction team：郭要富、陈有兰、丁永发
景观摄影Landscape photography：小花摄影.王勇
景观单方成本Landscape cost per square：1700元
设计时间Design time：2017年09月
建成时间Completion time：2020年06月
建筑设计Architectural design：SCDA
室内设计Interior design ：SCDA/ BLUEMOON
雕塑设计Sculpture design：Andrew Rogers
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