Piyandeling位于万隆Mekarwangi村的一个偏远地区。这个项目是一个避难所的空间，它的设计基于Guha Bambu和Alfa Omega学校的建筑语言，它形成了传统和更多的工业化方法的适应，混合了传统的细木工和竹子的胶合。Piyandeling由3个部分组成，第一个是私人家庭建筑 "Sumarah"，第二个是一个大厅，是为Mekarwangi村的孩子们设计的开放式教育平台 "Kujang"。第三个是未来的牙医空间，一个名为 "Saderhana "的设计工作室。
Piyandeling is located in a remote area of Mekarwangi Village, Bandung. This project is a sanctuary space that exercises the design based on the tectonic grammar that was elaborated from Guha Bambu and Alfa Omega School, it forms an adaptation of traditional and more industrial approaches mixing traditional joineries and glued joinery of bamboo. Piyandeling consists of 3 components, the first one is a private family building named "Sumarah", the second is a hall that is an open space designed for a future educational platform for kids in Mekarwangi village named "Kujang". The third is a future dentist space, a design studio named "Saderhana".
Sumarah是一个三层楼高的房子，供一个家庭居住，包括2个孩子的卧室，1个主卧室，和共享的浴室。建筑围护结构是用回收的300×600毫米塑料板建造的，以覆盖和保护内部的竹子结构，形成了一个服务走廊，有双交叉空气通风和双墙隔热的建筑核心生活空间。围护结构是可以打开的，由竹结构支撑，可以用竹子做的传统锁锁住。建筑的核心生活空间是3米长方形网格中的卧室。建筑的设计是对砖瓦概念的一种实践，使用了三种主要材料，如回收的塑料、当地的一种竹子和石头作为地基，这些材料在5公里半径范围内供应。创作的初衷是探索如何将竹子工艺与模块化的矩形空间相结合，创造出这样的综合工艺，从天花板、地板、柱子、门把手、门锁、饰面等细节都是现场手工制作，在整个综合空间中创造出艺术与工艺的构成。
Sumarah is a three-storey house for 1 family consists of 2 kid bedrooms, 1 master bedroom, and shared bathrooms. The building envelope is constructed with recycled 300 x 600 mm plastic panels to cover and protect the inner bamboo structure forming a service corridor with double cross air ventilation and double wall insulations to the core living space of the building. The envelopes are openable, supported by a bamboo structure that can be locked with a traditional lock made of bamboo. The core living space is the bedrooms in the rectangular grid of 3 m. The architecture is designed as an exercise of the bricolage concept using 3 types of main material such as recycled plastic, a local type of sympodia bamboo, and stone for the foundation which supplied within a 5 km radius. The composition started as an exploration on how can bamboo craftsmanship integrated with modular rectangular space to create such integrated craft carving bamboo composition from the ceiling, floor, column, door handle, lock, and finishing details handcrafted in site creating art and craft composition in the whole integrated space..
第二个项目，库庄是一个两层的浮动结构，用于连接有机农场的会议和聚会的露天大厅。它由4-5米高的竹子结构格子搭建而成，屋顶用Nipah叶子结合防水膜覆盖。形成Julang Ngapak作为一个传统的西爪哇乡土建筑，俏皮的栏杆弯曲的竹子被发挥为一个更复杂的双曲面形式，它更强，更灵活，并创造了一个鸟类自然运动的轮廓或运动的Kujang，这是一个传统的Sunda传统武器。Sumarah和Kujang建筑形成了一个试点结构，坐在现有的石头基础上，通过传统和工业方法的调整。
The second project, Kujang is a two-storey floating structure for an open-air hall for meetings and gatherings connecting with organic farms. It is constructed from the 4 - 5 m grids of bamboo structure and covered with Nipah leaf combined with a waterproofing membrane for the roof. Forming the Julang Ngapak as a traditional West Java vernacular building, the playful balustrade of bent bamboo is played as a more elaborated hyperboloid form, it is stronger, and more flexible and creates a silhouette of the natural movement of birds or movement of Kujang which is a traditional weapon in Sunda Tradition. Sumarah and Kujang architecture forms a pilotis structure sitting on an existing stone foundation made by adaptation of traditional and industrial approach.
第三个项目，Saderhana基本上是一个简单的1层楼，周边有两栋建筑，作为牙医空间、设计工作室和地下祈祷室。一层楼的建筑以石头为平台，竹子为屋顶，提供了一个 "Talahap "的传统竹子结构，上面覆盖了一层防水膜和Nipah。祈祷室是用竹子骨架和混凝土建造的，它形成了一个挡墙和雕刻的竹子形状的模板。我们的想法是创造出原始、基本、谦逊、诚实的表达方式的饰面，达到低成本造价的目的。
The third project, Saderhana is basically a simple 1 storey of two buildings on the perimeter as dentist space, and design studio, and the underground pray room. The 1 storey building constructed with stone as a platform and bamboo as a roof providing a "Talahap" traditional bamboo construction covered with layers of waterproofing membrane and Nipah. The praying room is constructed with bamboo skeletal and concrete which forms a retention wall and carved bamboo shape formworks. The idea is creating finishes that are raw, basic, humble, and honest in the expression and forming such economic sensitivity.
这三个项目形成了一个砖石建筑，是在皮岩岭行使的。这是一种理解，要在本地上设计和建造一些东西，就需要找到本地的根。
The three projects forms a bricolage architecture that is exercised in Piyandeling. It is an understanding that to design and build something out of the land, the project needs to find the roots of Local Genius.
Project Name: Piyandeling
Architecture Firm: Realrich Architecture Workshop
Website: www.raw.co.id
Contact e-mail: contact@raw.co.id
Firm Location: Aries Utama H 4 A - Indonesia
Completion Year: 2021
Gross Built Area: 400 sqm
Project location: Mekarwangi Village, West Java – Bandung, Indonesia
Lead Architects: Realrich Sjarief
Lead Architects e-mail: Realrich@raw.co.id
Design Team: Amud, Alifian Kharisma, Vivi Yani Santosa, Regi Kusnadi, Miftahuddin Nurdayat, Jovita Lisyani (if it’s has not been mentioned).
Clients: Realrich Sjarief + Laurensia Yudith
Engineering: Sudjatmiko, Eddy Bahtiar
Landscape: Realrich Architecture Workshop
Photo credits: Eric Dinardi
Photographer’s website: https://www.bacteriaphotography.com/,
|
