教堂街600号作为一栋进步的商业建筑，与克雷莫恩的工业风格形成对比，大胆地上升为一个整体的结晶玻璃结构。该建筑的切面外壳是一种有意的、模糊的规模相互作用。未来主义的形式和材料与周围的环境形成对比，突出了建筑的精致和抛光的性质，与该地区的原始和纹理的工业历史形成对比。
Sitting in contrast to the industrial grit of Cremorne as a progressive commercial building, 600 Church Street reinforces its corner allotment, boldly ascending as a monolithic crystalline glass formation. The building’s faceted outer shell is an intentionally ambiguous interplay with scale. The futuristic form and materiality contrast with the surrounds, accentuating the building’s refined and polished nature against the area’s raw and textured industrial past.
建筑形式的次要部分是在地面上出乎意料的精细衔接，在这里建筑与相邻的巷道相交。一个由多色板组成以蛇形图案排列，拾起了外墙的角度，并在概念上与宝石中的辉煌折射相联系。该装置将反射光投射在狭窄的通道上，使原本平淡无奇的通道变得生机勃勃，并在夜间照明时提供一定程度的被动监视。
Secondary to the building’s form is the unexpected fine articulation at the ground level where the building intercepts an adjacent laneway. A palette of multi-coloured panels arranged in a concertina pattern picks up on the angles of the facade and connects conceptually to the brilliant refractions within a gemstone. The installation casts reflective light on the narrow pathway, invigorating an otherwise mundane laneway and providing a level of passive surveillance when illuminated at night.
该建筑由地面上的零售和酒店，以及上面的办公租户组成，向上通向屋顶平台。倾斜和倾斜的立面元素故意掩盖了与之相交的楼板，模糊了人们对建筑规模的感觉。地面玻璃的倾斜度限制了干扰性的反射，人行道上的悬垂物起到了街道遮阳棚的作用。建筑物的入口是由玻璃幕墙抬起来，露出混凝土背景来的。外部的物质性在大厅里得到了呼应，明亮的蓝色镜子延伸到整个双层高度的空间。悬挂在不同高度的球形玻璃吊灯是一个引人注目的装置，同时也提供了一种空间上的亲密感。
The building is composed of retail and hospitality at ground level, and office tenancies above, leading upward to a roof terrace. The inclining and reclining façade elements deliberately obscure the floor plates they intersect with and act to obfuscate one's sense of the building’s scale. The measured angling of glazing at ground level limits distracting reflections and the overhang over the footpath functions as a street-level awning. The building entry is defined by the glazed façade lifting to reveal a concrete background. The external materiality is echoed in the lobby with bright blue mirror extending throughout the double-height space. Spherical glass pendants suspended at varying heights feature as a dramatic installation whilst also providing a sense of spatial intimacy.
教堂街600号旨在为工作场所带来更高的舒适度。 该建筑采用了首创的多层自行车堆放系统和强化的更衣室，以真正促进自行车作为一种替代的交通方式。通过TCL的景观设计，屋顶是一个社交空间，鼓励员工之间的联系，同时提供与城市天际线的视觉联系。
600 Church Street aims to bring an enhanced level of amenity to the workplace. The building features a first of its kind multi-level bike stacker system and enhanced change rooms, to genuinely promote cycling as an alternative mode of transport. With landscaping by TCL, the roof is a social space encouraging connection between staff while offering visual connection to the city skyline.
随着切面玻璃带的上升，色调的微妙变化响应了从建筑的工业基地向天空的逐步发展。色调的转换发生在与周围郊区建筑的高度相近的地方。在上面，玻璃更轻，建筑进一步后退。在由此产生的间隙空间里，一个阳台环绕着建筑，供4层的租户使用。
As the faceted glass bands ascend, the subtle shift in tonality responds to a gradual progression from the building’s industrial base, upward toward the sky. The tonal transition occurs at a height approximate to that of the surrounding suburban buildings. Above, the glazing is lighter and the building further set back. In the resulting interstitial space, a balcony encircles the building for use by the Level 4 tenancy.
教堂街600号将其八层楼定位为一个抽象的雕塑物体，与它独特的工业环境形成对比和平衡。
600 Church Street positions its eight stories as an abstract sculptural object offering both contrast and balance to its unique industrial setting.
Project: 600 Church Street
Architect: Wood Marsh; @wood_marsh
Websites: www.woodmarsh.com.au
Project Location: Australia
Photography:Willem-Dirk du Toit / @willem_dirk
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