墨西哥建筑事务所ICONICO完成了位于墨西哥中部城市San Luis Potosí的8750平方米的工业综合体QUIN。ICONICO受Joysonquin的委托进行设计和施工监理，Joysonquin是一家汽车供应商，为豪华车生产木制内饰。
Mexican architecture office ICONICO has completed the 8,750-square-meter industrial complex QUIN in the central Mexican city of San Luis Potosí. ICONICO was commissioned for design & construction supervision by Joysonquin, an automobile supplier who is producing wood-made car interiors for the luxury section.
该项目位于一个工业园区内，由一个工业厂房、一个行政楼和流通区组成，总体规划井然有序，占地超过5公顷。总体规划还考虑到了公司未来20年不同阶段的发展。设计的挑战在于深入分析工业综合体的工业流程和运营特征的需求，同时不失每个空间的可居住规模和员工的幸福感。
The project is located within an industrial park, comprising a program of an industrial plant, an administrative building, and circulation areas composed in a well-organized masterplan, occupying more than 5 hectares of land. The masterplan also takes into consideration the company’s future growth over the next two decades, in different stages. The design challenge consisted of deeply analyzing the needs of the industrial process and operational character for the industrial complex without losing the habitable scale of each space and the employee’s well-being.
地块由北向南跨越，呈现出近10米的高差，被转化为两个平台，一个是位于街道的行政楼，另一个是位于4米以下的工业厂房。工业综合体的设计通过这两座非常对立的建筑来平衡。
Spanning from north to south, the plot presents a height difference of nearly 10 meters, which is transformed into two platforms; one for the administrative building at street level and the other for the industrial plant four meters below. The design of the industrial complex is balanced by these two very opposing buildings.
两座建筑之间的区域变成了项目的中心点。锯齿形屋顶的覆盖，为项目的工业目的提供了一个现代和可识别的标志，它创造了一个连接两栋建筑的户外门厅；它配备了有吸引力的楼梯和长椅，员工可以在这里进行社交和享受户外活动。
The area between the two buildings turns into the center point of the project. Together with a covering saw-tooth roof, providing a contemporary and identifiable signature of the industrial purpose of the project, it creates an outdoor foyer connecting the two buildings; it is furnished with attractive stairways and benches where employees can socialize and enjoy the outdoors.
项目的设计树立了一个强烈的声明，并与其工业背景下混乱的外观形成对比；其建筑方法可以被描述为清醒、现代和纪念碑。所有的建筑形状和外立面都有一个干净和坚实的外观。工业厂房的外墙由明亮的金属外墙组成，而行政楼的外墙则由深色的瓷砖构成对比。这两座建筑拥有大量的日照，这在当地的工业环境中是相当罕见的。
The design of the complex sets a strong statement and contrasts the messy appearance of its industrial context; its architectural approach can be described as sober, contemporary, and monumental. All building shapes and facades have a clean and solid appearance. The industrial plant´s facade is composed of a bright metal façade, while the administrative building´s façade contrasts with dark ceramic tiles. Both buildings have a high amount of daylight penetration, which is rather uncommon within its local industrial context.
为了与公司的企业形象保持一致，内部设计简洁明了，尽可能多的开放空间，依靠抛光的混凝土地板和粉刷的墙壁。特别强调了公共区域的家具设计，如大堂和食堂，定制的木质家具形成对比，强化了业主的企业设计流程。
In line with the company’s corporate image, the interior is simple and clean with as many open spaces as possible, relying on polished concrete floors and whitewashed walls. Special emphasis was put on the furniture design of public areas such as in the lobby and canteen, where custom wood furnishings make a contrast and reinforce the owners' corporate design process.
绿化带环绕着几栋建筑，作为建筑与城市环境之间的缓冲区，有助于项目体现出人性化的尺度。种植的主要树种是棕榈树和灯笼草作为地面植被，灯笼草通常有长而光滑、细长的肉质叶片。由于这种植物对养护要求相当低，属于该地区的特有植被，因此养护要求降到最低，它一年四季都呈现绿色。
A green belt surrounds the several buildings, serving as a buffer zone between the buildings and their urban environment and contributes to the human scale the project embodies. The predominant species planted are palm trees and Lamparanthus as ground vegetation, which typically has long, smooth, elongated, succulent leaves. Maintenance requirements are reduced to a minimum, as this plant is quite undemanding and belongs to the endemic vegetation of the region; it appears green all year round.
▽屋顶平面图 Roof plan
▽场地平面图 Site plan
▽入口层平面图 Ground floor plan
▽一层平面图 First floor plan
▽剖面图 Section
▽剖面图 Section
▽剖面图 Section
Project name: Quin
Design firm: Iconico
Director: Moritz Melchert
Coordinator: José Moreno
Construction Supervisor: Joaquín Miranda
Executive Project Manager: René Cruz
Photography: Moritz Bernoully, Slot Studio
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