巴蒂斯特（Baptiste Debombourg）在瑞典厄勒布鲁市举办为期十二周的斯堪的纳维亚半岛最大的公共艺术双年展OpenART上，呈现了自己受新冠疫情启发创造出的装置艺术作品。
For OpenART – Scandinavia’s biggest public
art biennial, running for twelve weeks in the city of Örebro in Sweden -
Baptiste Debombourg has realized a work inspired by the crisis of the COVID-19
pandemic.
装置希望通过扭曲人们对空间和住所的认知和感受，并通过建立和解构这种感知来改变视觉体验，从而向现实中的隐秘情绪敞开心扉。
The idea behind the work is to distort our
perception of the space and the feeling of home, and to shift the visual
experience by building and deconstructing perception in order to open minds to
the hidden layers of reality.
巴士象征着一个自由的集体，通常载着一群人行驶在冒险的路上。在装置中被切成片状，以破碎的方式呈现，意味着冒险的可能性在当下社会已经几乎消失，随之而去的还有人们追寻理想、决定自己的生活方向的自发性。
The caravan – a symbol of freedom for many
– is sliced up and presented in a lacerated state. The opportunity to head out
on an adventure is gone, as is the spontaneity to make our dreams come true,
and to decide the course of our own lives.
▽装置内部细节
巴蒂斯特（Baptiste Debombourg）呼吁人们关注并反思，新冠疫情如何阻止人们前行的脚步，扼杀了多少自由。凭借在艺术和音乐界的深厚造诣，他将这种伤痕转化为艺术工具，呈现给大众，表达即使在这种毁灭性的环境下，仍应对新事物的萌芽抱有希望。
Baptiste Debombourg calls attention to –
and condemns – how during the pandemic, the world’s decision-makers stopped
people’s movement and extinguished freedom. With strong role models in the art
and music communities, he turns devastation into an artistic tool. In this
destructive spirit, hope remains that something new will sprout.
这件作品在拆除和转型之间摇摆不定，最终化身人们对自由和独立的不断增长的、压倒性的渴望的寄托，这也是Deombourg艺术的核心价值。
The work oscillates between demolition and
transformation, becoming a growing, overwhelming desire for freedom and
independence. These are the core values of Debombourg’s art.
Project name: Amplifier
Design: Baptiste Debombourg
Website: http://www.baptistedebombourg.com
Project location: Örebro, Sweden
Photo credits: © 2022 Baptiste Debombourg
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