EXMURO公众艺术和魁北克热情邀请居民和游客们欣赏今年的PASSAGES INSOLITES，这是一个公共艺术巡回活动。举办时间从2022年6月25日到10月10日，由18位加拿大本土和国际艺术家呈现的17件作品将在皇家广场、小尚普兰和旧港的历史区沿2.5公里的赛道展出。
EXMURO
arts publics and the Ville de Québec are pleased to invite residents and
visitors to enjoy this year’s PASSAGES INSOLITES, a public art circuit and
events. From June 25 to October 10, 2022, 17 works by 18 local, Canadian, and
international artists will be showcased along a 2.5 km circuit in the historic
sectors of Place Royale, Petit Champlain, and the Old Port.
▽《An Adaptative Moment》
作者：Nicole Banowetz
▽《Life Jackets》
作者：Ai Weiwei
▽《Meditations on Eartlhy Materials and Temperatures》
作者：Mia Feuer
▽《Hope 2.0》
作者：Sébastien Giguère
活动举办的九年以来，PASSAGES INSOLITES在魁北克城市景观和居民心中开辟了一片独特的空间。今年的展览为环境、非殖民化和地缘政治的艺术接触和思考创造了空间。 用EXMURO执行总监兼艺术总监Vincent Roy的话说，今年壮观、刺激的节目将“帮助魁北克市成为全球艺术地图上展示艺术和推广艺术家的场所，无论是在本土还是在国际环境中。”
In
its nine years of existence, PASSAGES INSOLITES has carved out a unique niche
in the urban landscape and the hearts of Quebec City residents. This year’s
edition creates spaces for artistic encounters and reflections on the
environment, decolonization, and geopolitics. In the words of Vincent Roy,
EXMURO’s executive and artistic director, this year’s spectacular, provocative
programming will “help put Quebec City on the global art map as a venue for
exhibiting art and promoting artists, both locally and internationally.”
▽《Mythe and evidence》
作者：Mathieu Valade
▽《Still Not My Story》
作者：Vincent Olinet
▽《Territories 2.0》
作者：Olivier Roberge
▽《ARENA》
作者：Benoît Maubrey
▽《Namus Pamus》
作者：Gaspard Combes
艺术家们的作品一览Complete program of artists
Nicole
Banowetz (Denver, Colorado) – An Adaptive Moment (2021 and 2022)
Collectif
Bélanger-Sacy (Quebec City, Quebec) – An Uprising of Sorts (2022)
Tracey-Mae
Chambers (Hamilton, Ontario) – #hopeandhealingcanada (2022)
Eva
Clouard (Quebec City, Quebec) – Forbidden Games (2022)
Gaspard
Combes (Arles, France) – Namas Pamus (2022)
Julia
Duranleau and Marie-Pier Lachance (Quebec City, Quebec) – Our Reality,
Augmented! (2022)
Mia
Feuer (Winnipeg, Manitoba) – Meditations on Earthly Materials and
Temperatures (2022)
Sébastien
Giguère (Stoneham, Quebec) – Hope 2.0 (2022)
Susanna
Hesselberg (Malmö, Sweden) – When my father died it was like a whole
library had burned down II (2015, 2021, and 2022)
Benoît
Maubrey (Berlin, Germany) – ARENA II (2017, 2021 and 2022)
The
Museum of Bad Art (Boston, Massachusetts) – The Museum of Bad Art: The
Best of the Worst, new collection (2022)
Vincent
Olinet (Paris, France) – Still Not My Story (2022)
Olivier
Roberge (Montreal, Quebec) – Territories 2.0 (2021)
Sarah
Thibault and the students of École Secondaire Vanier (Quebec City, Quebec)
– Traces of our Spaces (2022)
Mathieu
Valade (Chicoutimi, Quebec) – Myth and Evidence (2017)
Ai
Weiwei (Beijing, China) – Life Jackets (2022)
Embuscades
artistiques – Pop-up “art ambushes” in public spaces - Théâtre Kata, Le
CRue and Flip Fabrique (Quebec City, Quebec).
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