费尔南多·普拉茨（Fernando Prats）的作品以智利的地理和人文景观以及其极端自然的沉浸式能量为支撑，名为”Her Vertical
Retains Us”（Su Vertical nos
Retiene）的作品源于对安第斯山脉的持续观察，灵感源于加布里埃尔-米斯特拉尔的 "智利之诗"（Poema de Chile），以及地质学家佩德罗-何塞-阿马多-皮西斯（Pedro José Amado Pissis）在1875年绘制的《智利共和国自然地理地图集》中的图画。
The work of Fernando Prats sustains itself in the
landscape of Chile, both geographical and human, and the immersive energy of
its extreme nature. The piece entitled “Her Vertical Retains Us” (Su Vertical nos
Retiene) arises out of continuous observation of the Andes, the “Poem of Chile”
(Poema de Chile) by Gabriel Mistral, and drawings from the 1875 Atlas of
Physical Geography of the Republic of Chile, done by geologist Pedro José Amado
Pissis.
▽项目区位 Location
将这些山峰的剖面图汇集在一起，并将它们垂直放置在Los Cerrillos大都会公园内，与安第斯山脉的景色产生了交集，在水平与垂直的交汇处展开了对话。安第斯山脉，就像南美大陆的脊柱，是一个恰当的隐喻，暗示了一个集结的象征，一个在我们短暂的领土占领的脆弱性中认识自己的机会。它保持警惕，庇护记忆作为一个无可辩驳的见证，并通过其构造板块，迫使我们保持警惕；它包含、划定、定位和定义居住的可能性。就其本身而言，它是一个与破坏相抗争的生态系统，我们在景观和领土方面与之认同，标志着一个符号和它自己的诗学。
In bringing together the profiles of the peaks and
situating them vertically in Los Cerrillos Metropolitan Park, an intersection
is produced with the view of the Andes mountain range, entering into a dialogue
at the confluence of horizontality and verticality. The Andes mountain range,
like a spinal column that structures the South American continent, is an
opportune metaphor that suggests a rallying symbol, an opportunity to recognize
ourselves in the fragility of our ephemeral territorial occupation. It holds
vigil, shelters memory as an irrefutable witness and, through its tectonic
plates, obligates us to remain alert; it contains, delimits, orients, and
defines the possibilities of habitation. In and of itself, it is an ecosystem
in resistance with which we identify, in terms of landscape and territory,
marking a symbol and its own poetics.
▽项目鸟瞰 Aerial Bird
这件作品被认为是属于当地居民的雕塑，被理解为公共空间的延伸，是艺术与城市的交汇。与elton_léniz事务所合作开发，被认为是Cerrillos公园的遗产，这得益于公众对参赛作品的呼吁由公共工程部于2019年12月在公园举行的COP25（气候变化会议）进行，与其他相关峰会和活动一样，在10月星期五发生社会起义后，COP25不得不暂停，其基本要求是为所有智利人建立一个更公正的体系。
This piece, conceived as an habitable sculpture it is
understood as an extension of public space, a place where art and city intersect.
Developedin collaboration with elton_léniz architectsthought of as a legacy for
Park Cerrillos, is possible thanks to the public call for entries carried out
by the Ministry of Public Works for the COP25 (Climate Change Conference) that
would have taken place in the park in December 2019. Like other relevant
summits and events, the COP25 had to be suspended after the social uprising
that broke out on Friday, October 18, and whose fundamental demand has been to
attain a more just system for all Chileans.
为了项目的技术发展，在比赛提案阶段，Ámbito Cero Museography被邀请加入团队。之后，Cruz-Mandiola - Architecture
& Objects加入，负责协调、制造和施工。16根柱子分布在一个直径42米的水库的中央岛屿上。每一根柱子都拥有Pedro José Amado Pissis所描述的安第斯山脉轮廓的一部分，如果把它们一个接一个地排列起来，它们将构成从阿里卡到火地岛的总剖面。
For the technical development of the Project, at the beginning in
the stage of the proposal to the contest, Ámbito Cero Museographywas
invited to join the team. Later, for its materialization, Cruz·Mandiola –
Architecture & Objects joins to be responsible for the coordination,
manufacture, and construction of the work. Sixteen columns are distributed
on the central island of a reservoir with a 42-meter diameter. Each of them
possesses a section of the Profile of the Andes mountain range as described by
Pedro José Amado Pissis. If they were lined up one after the next, they would
make up the total profile from Arica to Tierra del Fuego.
▽Pedro José Amado Pissis绘制的《智利共和国自然地理地图集》 中的山脉
▽整理成为设计灵感 Artwork Image
▽项目草图 Sketch
▽实景图 The Final Project
其中八根柱子平行于比森特公园塞里略斯的中轴线，而另外八根柱子则与主要通道对齐。每根钢柱的高度为十六米，由一根中央刚梁组成，每边焊接两块10毫米厚的钢板，形成协作结构。
Eight of the columns are parallel to the central axis
of Bicentennial Park Cerrillos, while the other eight are aligned with the main
access point. With a height of sixteen meters, each steel column consists of a
central HEB beam with two 10-millimeter-thick sheets soldered to each side,
forming a collaborative structure.
▽工艺细节 Detail
在下部区域，每根柱子都被单独锚固。一组锚栓用于将金属结构与一立方米混凝土的独立基础相连。在上部区域，为了避免光污染，每根柱子的顶部都有6个装置，这些装置朝向其底部，描绘出山体的轮廓，这也是与Limarí照明设计公司合作开发的结果。
In the lower area, each column is individually
anchored. A set of anchor bolts is used to connect the metal structure to a
freestanding foundation of one cubic meter of concrete. In the upper area, in order to avoid light pollution,
each column has six devices on top of it that are directed toward its base,
cutting out the silhouette of the mountain profiles. Proposal developed in
collaboration with Limarí Lighting Design (LLD).
Project
Name: Su Vertical Nos Retiene
Artist:
Fernando Prats
Architects:
Mauricio Léniz, Mirene Elton, Eugenio Mandiola, Francisco Cruz
Clients:
Ministry of Public Works / ArchitectureDivision / Art Department
Schematic
Design: Ámbito Cero /https://www.ambitocero.com/
StructuralEngineer:
Alberto Ramírez
Construction
of Civil Works: ICAFAL /https://www.icafal.cl/
ColumnsFabricationIngeniería
y Montaje: EDYCE /http://www.edyce.com/
LightingDesign:
LimaríLightingDesign /http://lld.cl/
ElectricalEngineer:
ICG SA /http://www.icgsa.cl/
SchematicDesign:
Ámbito Cero /https://www.ambitocero.com/
Architecture
Office:Elton_Léniz Arquitectos + Cruz · Mandiola Arquitectura & Objetos
WebSite:http://www.fernandoprats.cl/,https://www.eltonleniz.cl/,https://cruz-mandiola.cl/
Contact
E-mail:fjpratse@gmail.com,mauricioleniz@eltonleniz.cl,eugenio@cruz-mandiola.cl
Country:
Chile
Year:
2019
Area:8800m2
Totales (Su Vertical Nos Retiene: 650m2)
Location:
Parque Bicentenario Cerrillos, Santiago, Chile
PhotographCredit:
Cristóbal Palma / Estudio Palma
Photograph
Web Site:http://estudiopalma.cl/
PhotographE-mail:cristobal@estudiopalma.cl
Video
Credits: Glaciar Films
Video
Web Site: http://www.glaciarfilms.com/
Video
Link:https://www.youtube.com/watch?v=PD-FzxQlsP0
|
