项目《纸亭》（Paper Pavilion）的设计使用了回收的废纸，发展了新的可持续性设计方法。项目原本是为哥本哈根艺术博览会(CHART)而设计的，在重新设计之后，永久地迁往哥本哈根市中心的 Kunsthal Charlottenborg博物馆。
Paper Pavilion is designed with upcycled wasted papers to develop the new sustainable design method. The pavilion was originally created for Copenhagen Art Fair (CHART) and it was redesigned and relocated permanently to Kunsthal Charlottenborg Museum locates in the heart of Copenhagen.
©David Hugo Cabo
第五届CHART博览会的主题是遵循可持续发展的建筑与制造方式，城市化及材料循环设计理念。设计单位PAN PROJECTS建议采用“合适的耐久性”作为新的可持续设计方法：不给展馆增加建筑强度，而是使用合适的材料建造，仅在活动期间使用。以此为出发点，利用纸张作为建筑材料，设计了适合近三日艺术展的展馆。因此，纸张是最合适的材料，不仅仅因为它是一种可循环利用的材料，而且它具有很高的强度。纸张是在这种短期活动中才会用到的材料，这一特点使展馆具有某些独特之处，显示出新的可持续性设计方法的潜力。
The fifth edition of CHART sought pavilion designs in line with notions of sustainable construction and fabrication method; urbanization and up-cycled material design. PAN- PROJECTS proposes an “appropriate durability” as a new sustainable design method: not to setup excessive architectural strength to a pavilion but rather construct with appropriate materials that only last for the duration of an event. From this perspective, Paper Pavilion is designed by considering paper as an architectural material in order to create the appropriate pavilion for 3 days last art fair. In this condition, papers appeal as the most suitable material,not only because it is a recyclable material but also because of it’s strength. Paper is the material that is only usable for such a short-term event, which feature provides certain uniqueness to the pavilion that indicates the potential of the new sustainable design method.
©David Hugo Cabo
©David Hugo Cabo
©David Hugo Cabo
©David Hugo Cabo
©David Hugo Cabo
©David Hugo Cabo
“蠕虫”是最初的设计灵感，这种小生物通过收集周围的材料来筑巢，这些材料能够很好地代表了这个地方的特点。类似地，《纸亭》也是用城市的集纸包裹，表现出市民的都市活动，在立面上反映生动的城市生活。项目的立面创造了游客与建筑物之间独特的互动，也能通过将纸张作为建筑材料而产生一定的趣味性。另外，场馆使用的纸张也可以像一般纸张一样，在活动结束后，利用现有的回收系统进行回收。
A bagworm is the initial design inspiration which little creature creates its nest by collecting surrounded materials that well represents the characteristic of the place. Likewise, Paper Pavilion wraps itself with papers collected from the city; show casing the citizens’ urban activities thus reflects vivid urban lives on its facade. The paper facade creates unique interactions between visitors and the architecture which playfulness is also the core design concept developed through considering used paper as a building material. Moreover, the papers used for the pavilion can be recycled with existing recycle system after the event as the ordinary papers are recycled.
©PAN-PROJECTS
©PAN-PROJECTS
©PAN-PROJECTS
©PAN-PROJECTS
项目在结构上是可以移动的，这一特点使《纸亭》能够移动到其他地方，通过周围的环境反射到纸上，从而实现自身的再生。在哥本哈根艺术博览会之后，展馆实际上被永久地搬到了夏洛特堡美术馆的入口大厅，用作接待空间。
Thes tructure of the pavilion is designed movable. This feature enables the Paper Pavi-lion to move to other cities and rebirth itself by show casing the colors of the new places that are reflected on papers. After Copenhagen Art Fair, the pavilion is actually relocated permanently to the Kunsthal Charlottenborg Museum’s entrance hall to be used as a reception and a book store.
©Yuta Sawamura
©Yuta Sawamura
©Yuta Sawamura
©Yuta Sawamura
▼项目平面图 Plan
▼项目剖面图 Section
▼项目立面图 Elevation
项目名称：Paper Pavilion
设计单位：PAN- PROJECTS
网站：https://pan-projects.com/
设计师：Kazumasa Takada & Yuriko Yagi
项目客户：Kunsthal Charlottenborg Museum / Copenhagen Art Fair
工程结构：Yohei Tomioka
赞助商：VICE Denmark, Underbroen, Wasara
竣工年份：2017年
建筑面积：10.0㎡
项目位置：丹麦 康恩斯北夏洛滕堡美术馆
图片来源：David Hugo Cabo, Yuta Sawamura，PAN-PROJECTS
Project name: Paper Pavilion
Architecture Firm: PAN- PROJECTS
Website: https://pan-projects.com/
Architects: Kazumasa Takada & Yuriko Yagi
Clients: Kunsthal Charlottenborg Museum / Copenhagen Art Fair
Engineering: Yohei Tomioka
Sponsor: VICE Denmark, Underbroen, Wasara
Completion Year:2017
Gross Built Area:10m2
Project location: Kunsthal Charlottenborg, Kongens Nytorv 1, 1050 Copenhagen, Denmark
Photo credits: David Hugo Cabo, Yuta Sawamura, PAN-PROJECTS
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