我们为OCT创作了此艺术品，OCT既是本次展览的组织者，也是该作品的投资者。我们的装置名为“明镜台”，它由沿着垂直矩形网格竖立的一组支柱组成。
We created this artwork for OCT, who served both as organiser of this exhibition, as well as investor for this particular artwork. Named “The Mirror Mind Without Time”, our installation consists of a group of pillars, erected along a regular rectangular grid.
重新思考我们所看到的关于城市的形态和可能的形态。该装置代表了时间和空间的多层结构，并介绍了观察者的重要性：根据一个人的字面观点，装置本身以有组织的刚性结构或混乱的像素云形式呈现。除了观点之外，观察者的近距离也起着至关重要的作用。每个支柱都是人造形状，由许多单独的粒子组成，每个粒子本身都是简单的几何形式。经过仔细检查，每个粒子似乎都很重要，但是从远处看，焦点转移到了每组像素创建的更大形式。这种效果反复出现在支柱的总和上：它们的形状从远处失去了重要性，并形成了更大的形象。
We use this as a starting point to rethink what we see as given about how a city is and how it could be. The installation represents multiple layers of time and space, and introduces the importance of the observer: Depending on one’s literal point of view the installation presents itself either as an organised and rigid structure, or as a chaotic cloud of pixels. Alongside the point of view, the proximity of the observer plays a crucial role as well. Each pillar is an artificial shape, constituted from many individual particles, each a simple geometric form in themselves. Upon close inspection, each particle seems important, but seen from a distance the focus shifts to the larger form each group of pixels creates. This effect gets repeated the sum of the pillars: Their individual shape loses importance from a distance and forms a larger image.
装置的每一部分均由混凝土和金属制成，但比材料更重要的是表面处理。每个支柱的一部分都经过抛光处理，以反映周围的环境，从而加深了诠释，并表明形式并不是恒定不变的，而是会发生变化的。如果我们遵循这样的思想，即粒子通过它们的接近度产生的东西大于它们的碎片之和，那么比反射的粒子表明，这种情况下的接近度大于两个点之间的物理距离。
Each piece of the installation is made from concrete and metal, but more important than the material is the finishing. Part of each pillar is polished so that it reflects its surroundings multiplying the interpretations and showing that form is not a constant, but subject to change.If we follow the thought that particles create through their proximity something larger than the sum of their pieces, than the reflected particles suggest that proximity in this case is more than the physical distance between two points.
可以看到的图像数量无穷无尽，这表明我们城市中存在着无限的可能性。在“明镜台”中，您既可以找到大鹏，也可以找到深圳，它无法判断哪个更好，而是反映了时间，空间和可能性的多个时刻。
The infinite number of images that can be seen show the infinite possibilities that lie in our cities. You can find both DaPeng, as well as Shenzhen in this The Mirror Mind Without Time and it does not judge what is better, instead reflects multiple moments of time, space and possibility.
设计单位: RSAA/庄子玉工作室
面积: 61 .0m²
项目年份: 2019
摄影师: 田方方
Project Name: The Mirror Mind Without Time
Architecture Firm: BüroZiyu Zhuang
Lead Architects: Ziyu Zhuang, Na Li
Photo credits: Fangfang Tian, Shangqi Art
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