该项目于2019年7月5日至20日在蓬塔德尔加达举行的Azores艺术节期间建成，并在国际竞赛“2019步行与对话馆”中获得第一名。
The project obtained the First Place in the international contest “Walk&Talk Pavilion 2019”, and was built duringthe Azores Arts Festival, in Ponta Delgada, between July 5 and 20, 2019.
该展馆作为 Walk&Talk’s 19 art 艺术节中心的建筑，可以用于举办与艺术节项目相关的音乐会、表演和讲座。这是一个临时的展馆，可以实现循环利用(氦气球展馆的再利用)，使用当地可用的材料(雪松木材)和都可以在未来进行再利用，以实现设计和可用资源之间的平衡。在这里，极低的预算打造了全部的空间，总结为三个元素：容纳防水设施的木车——酒吧、厨房、技术室和地下室——一个直径6.8米的气球和一个纺织物。
The creation of this pavilion involved the building of a structure as the center of the Walk&Talk’s 19 art festival, which could host concerts, performances and talks linked to the festival program. Itis a temporary low budget pavilion wherere cycling (reuse of the balloon of the Helium Pavilion), the use of locally available materials (cedar wood) and the possibility of beingd is mantled forreuse in the future were fundamental goals to achieve to find a balance between design and available resources. The economy was understood here as the spatial possibility itself, summarized in three elements: wooden wagons that house the water proof program -bar, kitchen, technical room and cellar-, a recycled balloon of 6.8 meters in diameter and a fabric that connects by the elements.
三种空间结构仅仅在做一个对比， 并没有对空间的整体性进行扭曲，在这个意义上，这种结构的表达是一种冲突的表达，这种冲突融合了不同结构和材料性质的选择：纺织元素，充气气球和当地木材的支撑结构。同时，它是半稳定和半不稳定的，这个展馆建立了材料和你我之间的对话，是真实的，骨头和软骨之间的，表面上稳定的元素和其他逃离我们的元素之间的对话，并提供了思考的关系。
The hybrid nature of the result responds to the intention of contrasting elements without distorting them, in this sense, the expression of this construction is the expression of a kind of conflict that integrate selements of different structural and material nature: the textile elements, the inflatable balloon and the supporting structures of local wood. While at thesame time, it is halfstable and halfunstable, this pavilion establishes a dialogue between the material and thee the real, between bones and cartilage, between apparently stable elements and others that escape us and that provide other types of readings and relationships.
例如，覆盖物的结构是用来引导的，它的声音和振动是让导航员可以读取风的。另一方面，空间的体验也会随着天气的变化而发生剧烈的变化，变化的紧张程度取决于天气的好与坏，整个屋顶的轮廓也会随之发生变化。这些品质被整合在体验和感知这个展馆的方式中，展馆更多的是一种体验，而不是形式。
The fabric of thecover, for example, is what is used to navigate, its sound and vibration is what allows the navigator to read the wind. On the other hand, the globe experience spres sure changes according to the weather, pressure on which the tensions depend on and, consequently, the profile of the entire roof. These qualities are integrated in theway of experiencing and perceiving this pavilion, one that seeks relation ships rather than forms.
▼平面图
▼剖面图
▼立面透视图
设计单位：GA Estudio（www.GA Estudio.cl）+ Artworks（http://Artworks.pt/）
年份：2019
地点：Ponta Delagada, Portugal
项目经理：João Rebelo Costa, Sustenta
生产：João “Marreco” Costa
供应商：geo - Die Luftwerker, Fixpaços
合作伙伴：Governo dos Açores, Câmara Municipal de Ponta Delgada, Criptómeria dos Açores, Tecnovia, Teatro Micaelense, MEO, EDA - Electricidade dos Açores
委托方：Anda&Fala - Associação cultural
照片：Mariana Lopes, Sara Pinheiro, Tomás García de la Huerta, Xaviera Gleixner
Year: 2019
Location: Ponta Delagada, Portugal
Architects: GA Estudio (www.gaestudio.cl) &Artworks(http://artworks.pt/)
Project Manager: João Rebelo Costa, Sustenta
Production: João “Marreco” Costa
Suppliers : geo - Die Luftwerker, Fixpaços
Partners: Governo dos Açores, Câmara Municipal de Ponta Delgada, Criptómeria dos Açores, Tecnovia, Teatro Micaelense, MEO, EDA - Electricidade dos Açores
Client: Anda&Fala - Associação cultural
Photos: Mariana Lopes, Sara Pinheiro, Tomás García de la Huerta, Xaviera Gleixner
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