该项目位于特拉维夫市南端的一个前印刷厂，在现有的工业建筑中探索了边界和再利用的潜力作为设计的主要概念。Herzl街117号的建筑，从正面意义上讲，是一个平庸的建筑产物。它还有其他的特点，实用，普通，平凡，普通，褪色。但事实上，它的中立性允许了一个主要的干预，这不仅仅是一个整容和创造一个抛光的艺术空间。相反，该项目通过当代工具和概念来处理现有建筑，旨在表达现有对象/建筑与新功能之间的冲突。
Set in a former print factory at the southern end of Tel Aviv, this intervention within an existing industrial building explores the boundaries and potentials of re-use as a design brief. The building on 117 Herzl Street was a mediocre architectural product in the positive sense of the word. It had other qualities too, being practical, average, unremarkable, generic, and faded. But in fact, its actual neutrality allowed a major intervention that did not suffice with a mere facelift and the creation of a polished art space. On the contrary, the intervention was set out to tackle the existing building with contemporary tools and concepts aimed at manifesting the conflict between the found object/building, and the new use inserted into it.
这两种极端之间的张力可以被描述为一种新的空间范畴。而不是重新执行神话-从沙tabula rasa现代主义-作为特拉维夫的历史已经被打上烙印，我们着眼于它的“杂种”形式出现在TLV Jaffa混合在其重叠和似乎的地方。不是黑人，也不是东方浪漫主义的“根源”，也不是被征召的现代主义的“白人”，而是肮脏的“杂种”或杂种现代主义，它们不是来自明确的意识形态，而是来自城市生活的混乱和矛盾。
The tension raised between these two extremes can be described as a new category of space. Rather than re-enforcing a mythic – out of the sands tabula rasa modernism - as the history of Tel Aviv has been branded with, we were looking at its bastard forms that emerge out of the TLV Jaffa hybrid at the places of its overlap and seem. Not black, or the 'authentic' of romantic Oriental’s, nor the white of the conscripted modernism, but dirty 'bastard' or mongrel modernism, emerging not out of clear ideologies but out of the confusions and contradictions of urban life.
因此，画廊的设计是基于极端之间的 "热-冷 "互动。潜在的紧张关系被映射出来，然后被强调：新与旧；感性与疏离；暴露与隐藏；高与低；闪亮与昏暗；清晰与不透明；开放与封闭；干净与肮脏。对我们来说，这就是特拉维夫市。
Thus, the gallery design is based on a ‘hot-cold’ interaction between extremes. Potential tensions are mapped, then highlighted: new versus old; sensual versus alienated; exposed versus hidden; high versus low; shining versus dim; clear versus opaque; open versus closed; clean versus dirty. This, for us, is the city of Tel Aviv.
▽立面图 Elevation
▽平面图 Plan
Project: Contemporary Art Gallery
Design firm: A.Lerman Architects Ltd.
Client: Contemporary art gallery
Completion year: June 2009
Location: Tel Aviv, Israel
Principal architect: Asaf Lerman
Photo credit: Amit Geron, Jochum Richard
|
