项目Szczecin爱乐厅的设计是为了容纳一个交响乐厅和一个室内乐厅，是一个非常复杂的建筑，占据了与前者相同的空间。这是一个综合的设计，与周围环境共享识别元素，质量、垂直度和屋顶的形状占主导地位。
The
Philharmonic Hall, designed to accommodate a symphony hall and a chamber music
hall, is a very complex buildingoccupying the same space as its predecessor.This is
a syntheticdesign that shares identifying elements from the surroundingcontext,
and where mass, verticality and the shape of the rooflinespredominate.
▽项目鸟瞰 Aerial
这座建筑充满了表现力，集中体现在赋予屋顶和其顶层周边形状的图案中。这种力量是受某些中欧表现主义建筑影响的结果。从外面看，建筑被认为是一个没有重量的体量，其中铝和玻璃幕墙，有时是半透明的，有时是不透明的，根据其用途的不同，传递出不同的表现力。
The
building is charged with expressive power, concentratedin the pattern that
gives shape to the roof and its crowningperimeter. This power is the result of
the influence of certainCentral European expressionist architectures. From the
outside,the building is perceived as a weightless volume in which
thealuminium and glass facade – sometimes translucent, sometimesopaque –
transmits expressive qualities depending on its use.
▽项目外观 Exterior
▽项目外观 Exterior
建筑的整体朴素风格与主厅的奢华形成鲜明的对比，主厅被认为是一件黄金工艺作品，符合中欧音乐厅设计的古典传统。装饰性和功能性已经沿着当地传统工艺的路线执行，基于金箔涂层组件，出于声学上的原因，设计元素的程度遵循几何顺序，并随着其与舞台的距离而增加。
The
apparent austerity of the ensemble stands in sharpcontrast to the
expressiveness of the main hall, which is conceivedas a piece of gold
craftsmanship, in line with the classicaltradition of Central European concert
hall design. The décor– both ornamental and functional – has been executed
alongthe lines of traditional local craftsmanship, based on a goldleafcoated
component. For acoustic reasons, this element’sdegree of fragmentation follows
a geometrical sequence which increases in relation to its distance from the
stage.
▽纯白朴素的整体风格 White and pure simple overall style
▽金箔涂层的主厅 the conceivedas gold craftsmanship of the main hall
▽基于声学原则的观众席设计 the stage base on the acoustic
与之前的项目一样，Szczecin的设计具有一定程度的形式自主性，试图构建一个既是其环境的特定部分，同时又独立于环境的建筑。
As with
previous projects, Szczecin is designed with a certain degree of formal
autonomy, trying to construct a building that isa specific part of its context
yet simultaneously independent of it.
Full
name: MIECZYSŁAW KARŁOWICZ PHILHARMONIC HALL IN SZCZECIN
Deisng Firm: Barozzi Veiga
Address:
Małopolska 48, Szczecin. Poland
Authors:
BAROZZI / VEIGA Fabrizio Barozzi , Alberto Veiga
Project
leaders: Pieter Janssens, Agnieszka Samsel
Project
team: Marta Grządziel, Isaac Mayor, Petra Jossen, Cristina Lucena, Cristina
Porta, Ruben Sousa
Local
architect: STUDIO A4 Sp. z o.o. Jacek Lenart
Structural
engineers: BOMA S.L., FORT POLSKA Sp. z o.o.
Installations:
GLA Engineering Sp. z o.o. ELSECO Sp. z o.o. ANOCHE Iluminación Arquitectónica
Acoustics:
ARAU ACUSTICA
Facade:
FERRÉS ARQUITECTOS Y CONSULTORES
General
contractor: WARBUD S.A.
Site
area: 3.800 m2
Usable
fl oor area: 13.000 m2
Volume:
98.200 m3
Concert
Halls
Audience:
Symphony Hall 951 Chamber Hall 192
Competition:
2007
Project:
2009
Construction:
2014
Budget:
118.918.000 Zloty (aprox. 30.000.000 Euro)
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