这个新的烹饪空间由Astet工作室为Dani García集团设计，珍视原始、火、火种以及石头和木头等原始材料的精髓，这些不仅是室内设计项目的元素，也是准备美食提案的基础。
This new culinary space, designed by the Astet studio for the Dani García Group, treasures the essence of the primitive, of fire, of embers and of primary materials such as stone and wood, which are not only elements of the interior design project, but are also the basis for the preparation of the gastronomic proposal.
Leña是一家以肉为中心的牛排店，不同的烹饪方式，无论是烟熏还是烧烤，都赋予了肉的味道，也是这个空间的设计理念。木头的质地，它被时间标记的圆环和它的有机浮雕，创造了这个项目的形态。这种材料和它的起源——树干的使用，创造了一个完全不同的环境和多感官的体验。
Leña is a steakhouse where meat is the central focus and where different ways to cook it, whether smoked or grilled, give the flavor and also the design concept for this space. Firewood, its textures, its rings marked by time and its organic relief, creates the ideology of this project. The use of this material and its origin, the trunk, creates a completely different environment and a multisensory experience.
浓烈的喷气式黑色出现在空间中，并主导着色彩的搭配，它覆盖了一切，墙壁、天花板、地板，甚至家具。通过展开调色调，根据需要进行提亮或淬炼，创造出微妙的色彩。质感和对比让我们看到黑色在Firewood中的巨大变数。这种基调的出现，是使用日本的烧木技术烧焦的木材的见证。日本菜也是Leña的最受欢迎的食物之一：和牛。
An intense jet black is present in the space and dominates the color palette, it covers everything, walls, ceilings, floors and even the furniture. Nuances are created by unfolding a palette that is brightened or quenched as needed. Textures and contrasts allow us to see the immensity of variables that black has in Firewood. This tone emerges as a testimony of burned, charred wood using the Japanese Yakisugi technique. The Japanese country also serves as a reference for Leña’s star dish, Wagyu beef.
黑色是突出肉类和餐厅菜品颜色的最佳背景。大自然贯穿整个空间。其有机的线条塑造了餐厅空间内的元素。这种有机性在天花板上暴露无遗，在整个空间中占有重要地位。蜿蜒的线条，在不同的高度被挤压出来，在染色的白蜡木中，就像被切割的原木的环，也是覆盖整个餐厅的光雕。昏暗的灯光营造出每一个环形都在燃烧的感觉，提醒我们火是潜藏在厨房和环境中的。影子是定义体量的元素，在室内不同的角落引起人们的好奇心。
Black is the best background to highlight the colors of meat and restaurant dishes. Nature is present throughout the space. Its organic lines shape the elements within the spaces of the restaurant. This organicity is exposed in the ceiling, which poses great importance throughout the space. Sinuous lines, extruded at different heights, in stained ash wood, resembles the rings of a cut log and is also the light sculpture that covers the entire restaurant. The dim light creates the feeling that each ring is on fire and reminds us that fire is latent in the kitchen and in the environment. Shadow is an element that defines the volumes and arouses curiosity within the different corners of the interior.
回过头来看看大地和它的原始纹理，是另一种资源，在室内创造了一个有趣的空间。用来生火的岩石也是氛围中的突出元素；两个悬浮的体量在黑暗的背景中出现，并形成了对立。
Turning back to earth and its raw textures, is another resource that creates an interesting dialogue within the interior. The rocks that are used to generate fire are also prominent elements in the ambience; two suspended volumes emerging and creating a counterpoint within the dark backdrop.
进入餐厅后，你会意识到Leña的与众不同，它的外立面以黑色的圆形金属形式，类似于切碎的柴火中的环形。透明的玻璃与另一种由工作室专门为Leña设计的玻璃交替出现，琥珀色的基调和金字塔的质感，形成了一种视觉滤镜和有趣的光学效果。室外露台的地面是用木头钉子打造的，彼此之间用黑色碎石的线条隔开。在夏季，外立面木工展开，将室内外统一在一个空间内。
Upon entering the restaurant, you realize that Leña is something different, its façade with its black circular metallic forms resembles the shape of rings found in chopped firewood. The transparent glass alternates with another type of glass that was exclusively designed by the studio for Leña, with an amber tone and a pyramidal texture, which creates a visual filter and interesting optical effects. The outdoor terrace floor is created with wooden studs placed apart from each other by lines of black gravel. During the summer, the facade carpentry unfolds to unify interior and exterior in one single space
过了入口的门，一个不透明的弧形木质大厅欢迎我们进入新的烹饪体验。这个小区域的天花板和地板都在实验着质感，提炼着火和木头的原始主义。入口处的这种不透明性也增强了发现其背后的惊喜效果。
Once past the entrance door, an opaque, curved and wooden lobby welcomes us to the new culinary experience. Both the ceiling and the floor of this small area experiment with the textures, refining the primitivism of fire and wood. This opacity at the entrance also enhances the surprise effect when discovering what lies behind it.
室内空间分布在一个开放的平面上，每个座位组都有独特的氛围，迎合了不同的情绪，表现出不同的细微差别、色彩和质感。第一个空间是威士忌吧台，吧台是一辆五米长的木质卡车，用直线镜面条纹打孔，形成无限的切割感。吧台顶部是黑色的热带石脉络，让这个元素更有特色。后面的吧台区域，也是房间的隔断，层层叠叠地陈列着国内外不同品种的威士忌。这种由木头和黄铜组成的纹理结构为威士忌酒瓶的展示创造了一个近乎雕塑的元素。
The interior space is distributed in an open floor plan, each seating group has a unique ambience, that caters to different moods, showing different nuances, colors and textures. The first space is the whiskey bar, the bar is a five-meter wooden truck punched with linear mirror stripes, which creates an infinite perception of cuts. The bar top is a veined black tropical stone that gives character to this element. The back-bar area, which also doubles as a room divider, has a cascade display of the different varieties of national and international whiskies. This structure of textured wood and brass creates an almost sculptural element for the exposition of whiskey bottles.
悬空的黄铜吧台顶棚也可作为吊灯悬挂在吧台上方，与吧台的深色调形成鲜明的对比。大面积的天窗为空间提供了自然采光，并将这个空间与室外露台的光度统一起来。
A suspended brass bar canopy that also functions as a pendant light hangs over the bar and nicely contrasts with the dark tones of the bar. The large skylight provides natural lighting to the space and unites this space with luminosity to the outdoor terrace.
▽平面图 Plan
Project: Leña Marbella
Design firm: Astet Studio
Client: Dani Garcia Group
Team: Oscar Engroba, Ala Zreigat, Ariadna Binefa, Siham Alaref
Location: Bulevar Principe Alfonso von Hohenlohe s/n 290602 Marbella
Photo credit: Salva Lopez
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