荷兰EYE电影学院位于IJ河转弯处的黄金位置，对面是城市的历史部分和中央车站。该建筑被设想为一个高度紧缩和动态的几何体量。光线以多种方式被光滑的晶体表面反射，从而使建筑的外观在一天中发生有趣的光学变化，运动和光清楚地表明自己是电影作为建筑生产媒介的基本参数。
EYE Film Institute Netherlands is situated on a prime location at the bend of the river IJ, opposite the historical part of the city and the Central Station. The building is conceived as a highly tense and dynamic geometric solid. The light is reflected in multiple ways by smooth, crystalline surfaces, thus subjecting the building’s appearance to permanent optical changes during the course of the day. Movement and light manifest themselves clearly as essential parameters for the film as a medium in the architectural production.
进入建筑的入口处的特点是连续的空间集中和定向的视觉关系。空间发展、光线入射和物质性定义了从南部玻璃正面和博物馆商店进入建筑中心的路径。房间相继变宽，然后作为建筑和功能的焦点展开其全部尺寸。
The entrance into the building is characterised by continuous spatial concentration and directed visual relations. Spatial development, light incidence, and materiality define the path that leads from the southern glass front and the museum shop into the heart of the building. The room widens successively, before unfolding its full dimensions as an architectural and functional focus.
室内的建筑配方将门厅和竞技场定义为中心分割点，将所有的流线纳入整体功能概念。而在南侧，建筑的外壳完全向邻近的河流开放，台阶式的台阶通过允许进入展览层、投影室和餐厅，扩展了部分分配、部分可改变的功能区以及内部的特征和氛围。单一功能区之间的流动过渡强调了房间流动的独特连续性和动态性，从而将使用情况转化为一个不断变化的空间印象的有形序列。
The interior’s architectural formulation defines the foyer and arena as central divisors which integrate all path relations into the overall functional concept. Whereas on the south side the building’s shell opens fully onto the adjacent river, terrace-like steps extrapolate the partly allocated, partly alterable functional zones as well as the interior’s character and atmosphere, by allowing access to the exhibition level, to the projection rooms and restaurant. Flowing transitions between the single functional areas underline the distinctive continuity and the dynamic of the room flow, thus transforming the usage into a physiologically tangible sequence of constantly changing spatial impressions.
运动和光线产生了独立的、多变的气氛联系，在外向的景观参考和内向的空间集中之间摇摆不定。伴随着这些可变的感知，在建筑内行走就像一个具有变化的视觉效果的电影序列。
Movement and light generate standpoint-dependent, variegated atmospheric connections which oscillate between extrovert landscape reference and introverted spatial concentration. Accompanied by these variable perceptions, the perambulation of the building resembles a movie sequence with changeable visual effects.
Project: EYE FILM INSTITUTE NETHERLANDS
Design Firm: DMAA
Category : Cultural
Address: IJ Promenade 1, 1031 KT, Amsterdam, The Netherlands
Competition: 2005 [1st prize]
Start of planning: 2005
Start of construction: 08/2009
Completion: 12/2011
Floor area [total]: 6.300 .0m²
Gross floor area: 8.700 .0m²
Built-up area: 3.250 .0m²
4 Cinemas: 67, 2 x 130, 315 seats
Exhibition space: 1.200 .0m²
Workshop: 90 .0m²
Offices: 1.200 .0m²
Information: 450 .0m²
Museum shop: 100 .0m²
VIP-area: 100 .0m² for special events
Arena / Bar - Restaurant: ca. 1.050 .0m²
Cost:€ 30 Million
Project manager: Philip Beckmann
Project team:Sebastian Brunke, Alejandro C. Carrera, Ruben Van Colenberghe, Burkhard Floors, Gerhard Gölles, Daniela Hensler, Thilo Reich, Hendrik Steinigeweg, Waldemar Wilwer
Implementation planning: Bureau Bouwkunde, Rotterdam bv
Structural engineering: Abt-Adviseurs in, Bouwtechniek, Delft
HVAC: Techniplan Adviseurs Bv, Rotterdam
Building physics: Peutz bv, Zoetermeer
Main Contractor:Bouwbedrijf M.J. de Nijs en Zonen BV
Client: ING – Real Estate, Schenkkade 65, P.O.Box 90463, NL - 2509 LL The Hague, www.ingrealestate.com
Photo Credit: Iwan Baan
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