9月19日，威廉-亚历山大国王将在阿姆斯特丹正式启用由荷兰奥斯威辛委员会，委托建造的荷兰大屠杀纪念馆。这座纪念碑由丹尼尔·里伯斯金(Daniel Libeskind)设计，纪念在第二次世界大战期间丧生的102,000名荷兰受害者（犹太人、罗姆人和辛提人）。在过去的五年里，Rijnboutt在这个特殊项目中扮演了协调和执行建筑师的角色。
On
Sunday 19 September, King Willem-Alexander will officially open the Dutch Holocaust
Memorial of Names, commissioned by the Dutch Auschwitz Committee, in Amsterdam.
The monument – designed by Daniel Libeskind – commemorates 102,000 Dutch
victims (Jews, Roma and Sinti) who perished during the Second World War. For
the past five years, Rijnboutt has fulfilled the role of coordinating and
executive architect in this special project.
设计及融入公共空间
The
design and its integration into public space
该纪念碑位于阿姆斯特丹的前Weesperplantsoen，在Weesperstraat和新教执事花园之间。位置非常合宜：它位于犹太区的中间，靠近重要的犹太文化建筑，如葡萄牙犹太教堂和犹太历史博物馆。
The monument is located in the former Weesperplantsoen
in Amsterdam, between Weesperstraat and the Garden of the Protestant Diaconate.
The location makes perfect sense: it is in the middle of the Jewish Quarter and
close to important Jewish cultural buildings, such as the Portuguese Synagogue
and the Jewish Historical Museum.
Daniel Libeskind设计了一座由102,000块独特砖砌成的非线性迷宫墙。每块砖都代表一个人，这座纪念碑可以让人们深刻认识到大屠杀期间遇难者人数的规模。纪念碑展示了四个由反光不锈钢制成的物体：希伯来字母לזכר,表示“缅怀”或“纪念”。周围环境由墙上的镜面反射，产生了万花筒般的效果，使得这些元素似乎漂浮在纪念墙的周围。虚浮代表历史的不连续性。看似简单，但墙壁上承载着巨大的、突出的字母，仅由26根柱子支撑，总重达150吨。该结构的比例也是与Rijnboutt合作完成，Studio Daniël Libeskind监督美学设计。
Daniel Libeskind’s design consists of a
non-linear labyrinth of walls built with 102,000 unique bricks. As each brick
represents an individual, the monument gives an idea of the scale of the number
of victims during the Holocaust. The monument displays four objects made of
reflective stainless steel: the Hebrew letters לזכר ,which denote ‘in memoriam’
or ’in remembrance of’. The fact that the surroundings and even the reflection
of the surroundings are mirrored creates a kaleidoscopic effect. The elements
seem to float in front of the walls; the emptiness represents the discontinuity
of history. It may seem simple, but the walls carry the massive, protruding
letters, which weigh a total of 150 tonnes supported by only 26 columns. The
proportions of this construction were also articulated in collaboration with
Rijnboutt, while Studio Daniël Libeskind supervised the aesthetic design.
▽灯光效果
▽墙上的镜面
为了合理设计这座纪念碑，Rijnboutt确保将其精心融入周围环境，并使用可持续的优质材料。高级景观设计师Petrouschka Thumann说：“在我们的设计中，我们仔细考虑了如何使该地具有公园般的外观，与新教执事花园相协调，这座城市是一座美丽的和平绿洲。”事实上，半铺砌的表面、八棵孤植树都经过精心挑选，以呈现最完美的景观效果。
“我们尽可能地使用内敛的景观设计，以确保所有的注意力都集中在纪念碑上，”Thumann说。
To do the monument justice, Rijnboutt
ensured that it was carefully integrated into the surroundings and that the
landscape plan used sustainable, high-quality materials. “In our design, we
thought carefully about how to give the location a park-like appearance that
harmonises with the Garden of the Protestant Diaconate, a beautiful green oasis
of peace in the city,” says senior landscape designer Petrouschka Thumann.
Indeed, the semi-paved surface, the eight distinctive solitary trees and the
hedges were carefully chosen. “Using a restrained landscape design ensured that
all the attention goes to the monument,” says Thumann.
复杂的工艺
Complex
process
荷兰大屠杀纪念馆的创建经历了持续五年的复杂过程。许多外部顾问都参与其中，例如结构工程师、砖石专家、不锈钢专家和修复施工公司。Rijnboutt充当所有相关方的喉舌并监督实施过程。
The creation of the Dutch Holocaust
Memorial of Names was preceded by a complex process that lasted five years. A
number of external advisors were involved, such as a structural engineer, a
masonry specialist, a stainless steel specialist and a restoration construction
company. Rijnboutt acted as the mouthpiece for all of the involved parties and
supervised the implementation process.
每当设计有变化或增加——石头、灯和栅栏——或沿途的小障碍，图纸就需要更新。通过3D模型和详细图纸，结果被突出显示，随后Libeskind工作室在设计图纸中进行了可视化，以开发最佳解决方案。我们每周与里伯斯金工作室联系，以确保我们尽可能接近设计的精髓。
Whenever there was a change or addition –
from stones to lamps and fences – or a minor obstacle along the way, the
drawings needed to be updated. By means of 3D models and detailed drawings, the
consequences were highlighted, which Studio Libeskind subsequently visualised
in design drawings to develop the best solution. There was weekly contact
between us and Studio Libeskind to ensure that we stayed as close as possible
to the essence of the design.
荷兰大屠杀纪念馆现在是荷兰大屠杀受害者的最新、最明确的档案：每个名字都代表一个死去的人，现在有一个地方专门用来纪念她/他们。
“这些人没有被遗忘，也永远不会被遗忘，”荷兰奥斯威辛委员会主席雅克·格里沙弗说。
The Dutch Holocaust Memorial of Names is
now the most up-to-date, palpable archive of the Dutch victims of the
Holocaust: each name represents a person who perished and now has a place
dedicated to his or her memory. “These people have not been forgotten and will
never be forgotten,” says Jacques Grishaver, chairman of the Dutch Auschwitz
Committee.
▽平面图
▽立面图
▽分析图
▽设计草图
▽模型
Project name: Dutch Holocaust Memorial
of Names
Year: 2021
Client: Dutch Auschwitz Committee (project
manager Paul Rohlfs)
Design: Studio Libeskind – www.libeskind.com
Team Studio Libeskind: Daniel Libeskind,
Stefan Blach, Johan van Lierop, Alex Tahinos, Amanda de Beaufort
Architect: Rijnboutt – www.rijnboutt.nl
Team Rijnboutt: Bart van der Vossen,
Richard Koek, David Philipsen, Jan Oudeman, Jordy van der Veen, Marcel Bakker,
Margret van den Broek, Marian Enders, Max Both, Patrick Kolanczyk, Paul
Beijeman, Petrouschka Thumann, Rob Korlaar
Photographs: Kees Hummel
Construction Firm: IMd
Raadgevend Ingenieurs
Brickwork: Rodruza
Masonry work: Metselwerk
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