; u3 ]7 @% ~ z+ H' R8 B f& _
. u& p& [# p$ d3 W! h- h
! P; q+ y' v+ x/ R/ g. B图片关键词: 上海 线性 街旁绿地 园林景观 木制 公共地毯 景观 地毯式园林景观 景观小品 公共空间 街头绿地 街旁小游园 公园绿地 公园景观 创智公园 公共开放空间 花园 游乐场 休息区 创智坊 木平台 钢结构 砖墙 亚克力板 城市公园 街头绿地 校园开放空间 公园绿地 木平台景观 6 c; Q8 V( V+ ^% V8 @/ E) `0 i
% T G; r5 Z2 }2 w$ aTips) w6 |% l4 F4 y0 K# W' |
8 u6 L# q: z+ s& D5 C0 u
In this way Gatti, using a generic and characterless basis, has accomplished plastic results that are both individual and original, and has introduced divergent intervals into
: w7 ]; S8 K! C% Y( ]8 d; Han area that would otherwise be anonymous - thus enabling people to find their own personal space.
1 S& w G! I+ A' g8 q& Y3 Z; l2 m; c0 D/ [
The architect has covered the whole surface with wood, an ideal primitive material that is both flexible and hospitable, that grows old and shows the temporary nature of the l5 c# R4 s) _; _1 i
operation.
4 j& D( k- N. g- N6 X+ Y6 j ]
- I. m5 t/ a# F% w3 V' VWhere the wood rises up, one can see a living underworld made of grass and trees.The architect in this way has predisposed specific spaces where people can chat
- r1 a* l8 k6 J* vtogether, have a rest, or even go skateboarding. A social carpet that does not exclude the coexistence of aggregation and individualism., p4 e1 _2 ^6 @) {9 Z
( ?/ x& S& ~% K z$ f
1 N( F0 A* L7 z3 W" H8 Y
" G5 m4 j7 S4 b5 e; t' V
& O1 X! f- Z2 G+ \0 e/ V5 k- M7 b |