" [& p$ [$ ~3 d. c& P3 ?0 z9 W* N
" L9 a/ X+ { B, y2 S' p
6 Y( E- W* n& g( V$ U+ W8 b图片关键词: 上海 线性 街旁绿地 园林景观 木制 公共地毯 景观 地毯式园林景观 景观小品 公共空间 街头绿地 街旁小游园 公园绿地 公园景观 创智公园 公共开放空间 花园 游乐场 休息区 创智坊 木平台 钢结构 砖墙 亚克力板 城市公园 街头绿地 校园开放空间 公园绿地 木平台景观
) e8 a# k$ Q7 h+ g' W) w& o; @. M
* z, f6 M1 f' f9 \/ d, UTips0 ]/ D5 g' P) ]: f/ o/ Q1 K
9 t) [6 R$ Z( y3 V3 R" s4 c
In this way Gatti, using a generic and characterless basis, has accomplished plastic results that are both individual and original, and has introduced divergent intervals into
% \: q1 A. _ fan area that would otherwise be anonymous - thus enabling people to find their own personal space.
% u+ w5 z3 S2 F: M0 g" f3 y# a$ X$ N: X* u6 e2 K
The architect has covered the whole surface with wood, an ideal primitive material that is both flexible and hospitable, that grows old and shows the temporary nature of the
: {" V9 z! r) s" ?, v9 Uoperation.
) q& K' O- a$ j" n( s3 ]$ I8 L; d0 G) `
Where the wood rises up, one can see a living underworld made of grass and trees.The architect in this way has predisposed specific spaces where people can chat 3 v: J! v: I8 q9 R } V- {
together, have a rest, or even go skateboarding. A social carpet that does not exclude the coexistence of aggregation and individualism.
4 Y. ]2 v# z- p3 Z" N4 z% H. ?& p/ s K6 a7 V% y2 ]4 c/ E- Y' F3 S* z
" q% V* U0 V8 P
( R8 n# r# R2 r4 i3 O: H
, w2 N9 ^5 a$ K& V |