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田园艺术公园–农耕生产与民俗记忆
艺术公园方案
Pastoral Art Park Park is located in the second crop Gushan Road Railway and the junction of the river, the venue for the agricultural and breeding status of shanty towns, designed to keep the original texture, planting corn, and arranged in a manner to crop land art, the use of field-like texture. In the heart of the park, designed central square, the central square of the design concept from the "hit wheat field" to prime soil compaction as a venue based in venues arranged folk art. Throughout the site, there is a cross bridges crossing the site, cross bridges and walls inspired by Chapman, Chapman is in the garden of the "windward hanging scroll child", made from recycled materials, including tree branches and crop residues, using braided formed in a manner corridor walls of rammed earth wall as the main structure of the intermediate doping comprehensive materials, mainly in the process of urbanization in rural areas were demolished old house housing material composition, including brick, stone, wood and tiles and other materials, saturated dipped in local memory, drawing on the wall sunshine most representative works of folk art - sunshine peasant paintings, painter hired local farmers to use red-letter drawn directly on the wall. In addition, the use of contemporary artistic expression, to show folk art, the production and life of appliances "food hoard child" and "fighting" the body can be combined to form a unique paintings participatory construction, will Yimeng fabric attached through a unique pattern design sculptural lamps, which are arranged in a pastoral, brings strong contrast visual impact. Shanty towns in the original location planning and design local museums and commercial buildings, construction of rammed earth construction, local mirror stainless steel for comparison, the use of large glass rear window grilles of expression, covered with big red paper-cut in the formation of giant red lanterns at night . Local museum to show local agricultural production methods and sunshine folk art, and planning and design bars and restaurants commercial buildings, active park atmosphere. Farmland while retaining the original texture based on the venue, combining pastoral Art Park's personality, build and has an identifiable, protective and productive pastoral landscape production area. Around the park in a natural style tall trees planted enclosed form of the potential, for the entire site to form a barrier; park the internal use of rule-planting, the upper persimmon fruit trees, apple, pear, walnuts, etc., the lower duplex for crop cultivation, grown mainly in the form of wheat / canola - corn, wheat - millet; greenbelt corridor set picking garden, planting a variety of native fruit trees apple, pear, walnuts, emphasizing its seasonal plants, highlighting branches of plants, flowers , fruit, gestures and other features, increase the participation of visitors.
田园艺术公园的作物园位于第二道铁路与崮河的交界之处，场地现状为农田以及养殖棚户区，设计保留原有肌理，栽种五谷，以大地艺术的方式布置农作物，运用田状肌理。在公园的核心位置，设计中心广场，中心广场的设计理念源于“打麦场”，以素土夯实作为场地基础，在场地中布置民俗艺术作品。在整个场地中，有一架十字廊桥穿越场地，十字廊桥的灵感来源于柴门与土墙，柴门即菜园中的“迎风幛子”，由再生材料构成，包括树木枝条和作物秸秆，采用编织的方式形成廊道，土墙由夯土墙作为主体结构，中间掺杂综合材料，主要以城市化进程当中拆除的农村旧房房料构成，包括砖瓦、石材、木材以及瓷砖等材料，饱蘸乡土记忆，在墙体上绘制日照最具代表的民间艺术作品——日照农民画，聘请当地农民画家运用浓墨重彩直接在墙上绘制。另外，运用当代艺术的表达方式，展现民间艺术，将生产与生活用具“粮食囤子”与“斗”的形体结合年画形成独特的可参与性构筑，将沂蒙花布的图案附着在经过独特设计的雕塑灯具上，布置在田园当中，给人带来强烈对比的视觉冲击力。在原有棚户区的位置规划设计乡土博物馆与商业建筑，建筑为夯土建筑，局部采用镜面不锈钢进行对比，在大片玻璃后面运用窗花的表达方式，满布大红色剪纸，在夜晚形成巨大的红色灯笼。乡土博物馆展现农业生产方式和日照当地民间艺术，并规划设计酒吧与餐饮商业建筑，活跃公园气氛。在保留场地原有农田肌理基础上，结合田园艺术公园的个性，打造兼具有可识别性、保护性和生产性的田园景观生产区。公园周边以自然式种植的高大乔木形成围合之势，为整个场地形成一个屏障；公园内部采用规则式种植，上层为果树柿树、苹果树、梨树、核桃等，下层为农作物复式种植，种植形式主要有小麦/油菜——玉米、小麦——谷子；绿带走廊中设置采摘园，种植各种乡土果树苹果树、梨树、核桃，强调其植物的季相性，突出植物的枝、花、果、姿态等特征，增加游人的参与性。
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